In August 2015 Alan Britt was invited by the Ecuadorian House of Culture Benjamín Carrión in Quito, Ecuador as part of the first cultural exchange of poets between Ecuador and the United States. During his visit, he participated in venues all across the country including the international literary conference sponsored by La hermandad de las palabras 2015 in Babahoyo, Ecuador. In 2013 he served as judge for the The Bitter Oleander Press Library of Poetry Book Award. His interview at The Library of Congress for The Poet and the Poem aired on Pacifica Radio, January 2013. His latest books include Violin Smoke (Translated into Hungarian by Paul Sohar and published in Romania: 2015; Lost Among the Hours: 2015; Parabola Dreams (with Silvia Scheibli): 2013; and Alone with the Terrible Universe: 2011. He teaches English/Creative Writing at Towson University.
THAT BLESSED DAY
If I found myself in Shakespeare’s company
cruising the thermals high above a tarnished
sterling platter of mantis celery, white cheeses
harpooned by cellophane toothpicks, & jaundiced
dips speckled with flea-sized spices, I’d bow
before Sir William, (or Sir Edward), & apologize
for scorpions prowling the perimeter of my
indigestion, thereby expunging any regret for
my periodic battles with academic seizures.
LISTENING TO SOME EXQUISITE VIOLIN
& THINKING OF MICHELANGELO
Mantis eyes flicker gas blue flames—
barefoot verb pirouettes scalding ice—
disturbance of coconuts waist deep &
bare-chested into the lake that Michelangelo
enjoyed as a boy on full moons; yet flames
prowl the golden thicket like mother jaguars
with infants in tow, heat waves melting terracotta
tiles over algae-coated Beverly Hills chateaus—
“Hi, I’m Michelangelo, be sure to tip the mice
who shoulder ice from the whitewashed shed
& tell ‘em cheeses on the house, wherever
that house shall be!”
WHEN YOU THINK ABOUT IT
Frustrated, first one picks up a rock,
second one, petrified timber, third one
wanders the electric blue forest of Austria,
fourth kicks his Ludwig igniting the most
dynamic rock ‘n’ roll quartet in history.
We circled the moon’s waist on a raft of
driftwood across a sea of blood—WWII
left its mark on us—now, we’ll never go
quietly or any other crazy adverb into that
stuck in some god forsaken place someday—
But I’ve got rhythm, plenty of rhythm.
WHEN YOU DON’T THINK ABOUT IT
It makes sense: we age, we bore with vagaries,
we tell tall tales because the truth is too expensive,
we quilt the Lord’s Prayer on a niece’s christening
blanket—chop confusion into firewood—lest we
find ourselves at the end of a long journey from stars
sprawled like octopi→200→feet across a minute or
a day, if, for example, the Pope suddenly, inexplicably,
retires to 300 acres of prime pasture, thanks to you
& me.
Make sense?
POSTPONING SUICIDE
Think folks who chose suicide
over a backyard bug zapper’s blue
sparks splintering canasta, pinochle
& fat cigar mushroom clouds
swirling the local morgue was
a perfect crock of shit, then you
weren’t paying much attention.
Me, either.
But, think about it—before the
bank closes, jams alleyways, clogs
arteries called ports & coerces
reluctant restaurateurs, in long run
or the short, because it’s better
that way.
EMERGENCY ROOM
Ocean creeps through soda machine’s gilded gills
Blood pressure off: 79/49
White-haired wheelchair in purple knits
Black shoes’ ankle straps crinkled over cinnamon nylons
Fox 45 visits Newtown, Connecticut
Back pain’s piranha . . . lower vertebrae
Severe cough’s traffic jam on northbound 95
Samsung flat screen skids tractor trailer triples across I-80’s black ice
Buzzards litter, blobs of ink, stubble cornfield
✄ ✈ ☂ ☢ ☮ ☤ ☠ ♑
Feathers like ash like 60 round clips like adjectives crumpled into stainless steel cans
like smartphones riding the white backs of stallions circling circus rings littered
with peanut shells hash tags & pulverized vertebrae like recessed light bulbs like an
appendix sinking to the bottom of the Black Sea like nurse straightening Newsweek &
People on plywood shelves near plastic spruce dripping raspberry gauze, golden cones,
bright green bows, & blinking white lights tacked to walnut overlay like titanium
thoughts like smoke in the shape of corroded angels like tongues in the shape of
corroded smoke like eyeballs bouncing between metal jacks sprawled across granite
linoleum like voices left out in the rain, edges curled like stale bologna, voices wading marijuana fields’ sticky red-veined ceremonial bulbs that taste like liquorice like young wanderers in seer sucker sun dresses faded baseball caps & smiles like crucifixes like revolving doors & saints with hoodies like emerald EXIT sign’s little arrow pointing
toward heaven up down east west in-between the onionskin layers separating one
dimension from another like each electron aggravating each neutron & forcing each
proton to reveal itself as giraffe or moose, emerald housefly in blazing estrous, ether
masks covering the lips of holocausts, as orderly in paper slippers poaching a Pepsi
from soda machine wheezing a televangelist soliciting funds in the form of death bed confessions & beehive hairdo crushed beneath eighteen-wheeler tailgate (head lopped cantaloupe clean into Benz backseat) as chuckling televangelist & squirming blond wig
on straw-colored, microfiber sofa, as palm trees swaying, as curved beaks shimmering,
as snack machine wheezes crackly bags of chips, nuts, candies, & twinkling white lights→→→→ ← ← ↑
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