Showing posts with label Robert Beveridge. Show all posts
Showing posts with label Robert Beveridge. Show all posts

Thursday, October 11, 2018

Seven Poems By Robert Beveridge

Robert Beveridge makes noise (xterminal.bandcamp.com) and writes poetry in Akron, OH. Recent/upcoming appearances in The Blue Pages, Minute, and Chantwood, among others.

Abandon

stones strike
a broken window

splinters of glass tip
the pavement, clink
shatter

xylophones scream

Catwalk

It would be easier
to get through the mud
if you retracted
your claws

Observation

wanton wamma wither
wakes—
intana fop

kazaa kazaa kazaa

and steaks are grilled
over your feces
salmonwill

you shit the world as you whisper my name

Old Wives

Close the refrigerator before
the eggs melt. Check the map
before you insert the uranium
rods into the reactor. Fly
the friendly skies. When you
have to choose between your
favorite pet and someone else’s
nose, yellow is the way to go.
Englebert Humperdinck wants
YOUR autograph. Remember
to sous vide the egg bites
to exactly 135 degrees. Fahrenheit,
of course. Ask your doctor
about euthanasia today! Put
the sheets on your bed inside out
for a novel way to trap burglars.
Sleep, damn you, sleep. Eat
the chocolate first so you don’t
get worms. If you whistle past
the graveyard only the hot ghosts
will rise. A casserole can sure
anything. Slow and steady makes
for the beat barbecue AND orgasms.

Sixteen Days

doesn't seem like
too long a time
seconds tick
hours crawl
sleep will never
ever come

eternity
can be encapsulated
in sixteen days

I walk around
the room
pick up a pack
of cigarettes
put it down again

the number of times
this can be done
in sixteen days
is uncounted
and best left
that way

in sixteen days
I will have paid
the rent again
done two readings
gone to a conference
yelled at poets
who are often better
at this game
than I

the only times
between now
and sixteen days
from now
that will go
any faster
are in sleep
or in bed
with a beautiful lady
and neither of these
happens
often enough

in sixteen days
I will have bet
a couple of twenties
on the Travers
likely will have watched
Free House win by daylight
and pay $2.40
to some other sucker
cashed my own ticket
when the longest shot
in the field
completes
the exacta

there are many ways
to win many ways
to pass
time
which just goes
and goes

Ten

25,000 chickens
were her lovers
she, their feeder
their bestial teacher
of arcane
human
love

beaks probe
and Betty Lou gasps
in discovery

wonders
if her men
will be this good

trance

the searing whiteness
the gateway to the infinite
the whispering pain

the final bleeding

Monday, January 22, 2018

Poetry By Robert Beveridge

Robert Beveridge makes noise (xterminal.bandcamp.com) and writes poetry just outside Cleveland, OH. Recent/upcoming appearances in Pulsar, Tessellate, and Scarlet Leaf Review, among others.


The Amazing Slam Diet

eat
your
poems


Driven

press your face
against the glass
and watch
this fire

burn
in this cruel
sunset

the mortal remains
of a thousand thousand
howling birds

so much time wasted

but so many emancipated

sun reaches out
over water
and ensnares them

watch
if you can
and know
they are free


Leave the Obscure

All is not art.
All
is what we ask
our lovers
when we lie
next to them,
faceless

All lies dead
in the last
vestiges of riot
buildings burned
around it

the sound
of a lute
in the distance

Poconos Manifesto 1992

We are trapped in a world without gangsters
and it seems to me
the lights in all the flowers have gone out
there is a dog sewn to this highboy
in front of your house
but it still moves about with relative ease

I can see your form in a silhouette behind your blind
you are lit from the back
and as you take off your blouse
for one instant your breasts are visible through that fabric

and I fall in love with you again
for the two hundred eighty-seventh time

as I pat your dog absently it is shedding blue tears
I call it a man
and rub its tears on my face
sing as I walk away

A Portrait of the Artist

Open your throat
with the silver razor
blade
silence springs
forth, you begin
speaking backwards

the woman caresses
your throatsmile under
the red light
she wears a dress
of your blood

you stitch your lips
with duncolored
yarn, wench
of dreams
now the hole
in your throat
talks for you

now you have learned
to sing from the diaphragm

Red Wings

I

They face each other, circle.
Brandish clubs. No feints here,
the object is to kill. Quick
and clean.
      The winner
does not matter, except
to the prize.

When only one remains, he dips
his fingers in the loser's blood,
claims his bride. Traces red
along the line of jaw, the lip,
one dollop in the center of the forehead.

The wedding is complete.

II

I rest my head
on your thigh. These times,
when you feel the moon's pull greatest,
you seem as pleasured by my tongue's
caress, but still you ask
what urges me to seek
oral shelter in you then. I shift,
turn my face to the ceiling;
you sit up. “Oh, God, honey,”
you laugh, “your face
is covered.” I touch my fingers
to my cheek, examine them.
Such redness.
“All this blood.”
You trace its path
from ear to lip. I dot
the center of my forehead
and you kiss me.

Solitaire

All writing is shit

ghosts flow through me
but I cast them out
digest the excrement
on the pages
of my father

not worth
the flatulence of pigs

not axiom
theorem

postulate works of art
and destroy Picasso

push the words of Foucault
through the shredder

seduce the Mona Lisa
and blacken her lips
Hartzell Hartzell
sound is all knowledge
urrr grrr
debase to animalia
the womanroot of feeling
debase

not derogatory but inspirational
these emotions are all
cah cah

and in these words of non
alive on bread and alcohol
we reside

we bite god
in his clemency
and he pulls the crab nebula trigger

Cabaret!
Cabaret!

Rolling in einstĂ¼rzende
neubauten
the architecture
of the homeless

strike that
it made too much sense

seven-page manifestos are too long
for the gestalt of gestation
and even to read

Arp collapses, unfolds
dog collapses, unfolds

dogsbody decomposes
the bloody
Someday in sharp focus

rip the locks themselves
from their anger!
Moloch is dead
dead dead dead
and only the god
of the Corpse
stands extreme
in his beauty

he is exquisite
decayed and angry
an ogregrrrgrrr
leafing the battlements
and hell! the final frontier

all that is left
when swords slice through the gods
is writing
excrement