B.Z. NIDITCH is a poet, playwright, fiction writer and teacher.
His work is widely published in journals and magazines throughout the world, including: Columbia: A Magazine of Poetry and Art; The Literary Review; Denver Quarterly; Hawaii Review; Le Guepard (France); Kadmos (France); Prism International; Jejune (Czech Republic); Leopold Bloom (Budapest); Antioch Review; and Prairie Schooner, among others.
He lives in Brookline, Massachusetts
EXILED FOR JAZZ
The military
exile the thirst
for freedom and jazz
remembering
your twenty first birthday
in a fervor
of fevered expression
yet you suffer
working on islands
from life's painful images
amid political repression
your language amazes
as you write in silence
from the notes you play
on a a historical scale
survive on riffs.
ONE OF MY ACTORS
One of my actors
in my Original Theater
roller bladed
to his audition
he had tunnel vision
of his lines
with an eidetic memory
so I kept my eye on Adam
he left us
for the Big Apple
since I had no funds
to pay him for his worth
then went to Hollywood
and became a star
but when I needed him
he always came back
to us in roller blades
until he fell off
listening to Coltrane.
IN MANHATTAN 1966
Anti-romantic
Andy Warhol
a passion to the lost,
I'm on a sleeper car
the ex-camera rolls
for we underground Beats
are giving our readings
on street corners,
with a lost Anna Karina photo
when married to Godard
we find at the Chelsea,
I buy a lunch poem
from Frank O'Hara
at the Cedar Bar,
here is
cheap vodka in draws
as time lapses
in my synapses
of taboo tripping,
after Andy demanded
to be electrically shaved
for the boy next door
carrying an imbibed state
for an extra in "Flesh"
needing a prescription
for a drug free America
losing a nude display
of Gordon Parks' sequences
after getting the "Shaft"
on the way meeting Lana
a transvestite
who asked me for a light
and turned herself into
a bulbous yet
nosey chaperon
asking me to do
her laundry
of lace aprons,slips,dresses
of silk, Egyptian cotton,
and chancy things
drifting in the wash
in bathed bleach
of celestial swimsuits
from Esther Williams'
Technicolor sets
swirling shirts and blouses
lifted things from Macy's
from a drawn basket
in shiny scents of lystoil.
NEW YORK CITY 1989
With the romantic
gone
here in the French
underground
once again
playing jazz
to a melody of Mahler
and Rameau
before a French mirror
doubled up
for Mallarme,
the wind
has Paris icicles
for us
in the restaurant
we murder croissants
by the portmanteau movies
of Spanish refugees
seeing bridal angels
of Chagall and Picasso
of our passing.
Showing posts with label B.Z. Niditch. Show all posts
Showing posts with label B.Z. Niditch. Show all posts
Wednesday, June 24, 2015
International Surrealist B.Z. Niditch
Wednesday, March 6, 2013
Two Poems By Small Press Veteran B.Z. Niditch
Here are two poems by B.Z. Niditch, a veteran of the small press era who has published more poems than most poets will ever write. Good poems. He's someone I appeared with many, many times back in the old days before the interwebs killed the small press star. He has just become the first poet besides myself to be published in Zombie Logic Review. I will be publishing more poems from poets I respect soon. Please feel free to send your poems for consideration.
HOW EASY, BUKOWSKI
There are no ultimatums in poetry
unlike love or political affairs.
Maxim by BZ Niditch
Even living
in a roulette world
when traffic lights
go outside
your tinted rooms,
the neon sky opens
sprinkling rain
on the window sill
where you sink
to rest your arms,
and a poet's life
has little sun
but dust
by shafts of night
with the scent
of ply wood,
overwhelmed
with words, bills,
in a sea of underground
abandonment set
for another round
of small talk
and Finnish vodka,
amid unaccounted dead
peeping in a tavern
above a storefront
at Frisco's edge
of the train line,
we cannot lose sight
of being railroaded
by a hermit's fate
when a decade
is older
than the Redwoods
on empty days
of sleeplessness
as your smashed car
now a body machine
is beaten up by time
in this quickie part
blinding the city's proper
look-outs for the lost,
knowing Mr. Devil
is no gentleman caller
who visits the friendless
with hands full
of promises
with thorns of roses
and fortune cookies
in a numbing secret
hand shake.
You Uncle Walt
Here I am in Whitman
Massachusetts,
really nowhere,
with my bare head
covered in snow kisses
you always humoring me
with your pulsating
half photo in my mind
on fragrant fields
at cranberry harvest
playing around with words
full of unsettled life,
rounding out
an eye lashed history
under a chimera
and beggar sky
no one can explain
that I your adopted nephew
from a lost city
without a green card
from the underground,
washed in fires
of the limestone Beats
at fervid awakenings,
we do hear you sing
here Uncle Walt,
in Whitman
all the way to the cities
of down and out angels
where one stops
to read you
blinded in love
on bus stops
and cable cars
covering scarlet letters
from graffiti walls
amid every sex and sect
no longer hidden
from burning bushes
your kind words, Walt
swatting our brows
even in the middle
of nowhere.
B.Z. NIDITCH is a poet, playwright, fiction writer and teacher.
His work is widely published in journals and magazines throughout the world, including: Columbia: A Magazine of Poetry and Art; The Literary Review; Denver Quarterly; Hawaii Review; Le Guepard (France); Kadmos (France); Prism International; Jejune (Czech Republic); Leopold Bloom (Budapest); Antioch Review; and Prairie Schooner, among others.
He lives in Brookline, Massachusetts.
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